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MST3K shades
RW: Sam was going to direct the first Zebulon script that I had written, but he died. Then Hal Ashby was interested in it and he died. I was going to direct it up in Canada but I couldn’t get it on. I came close. After a while I just dropped it because the whole adventure was beginning to feel cursed.
Arthur: Jim Jarmusch was interested in it too, right?
RW: Right, Jarmusch was going to direct it but after talking about it for a few weeks it became clear that we each had a different point of view of what the script was going to be and we went our separate ways. I was surprised when he lifted some important themes from the script for his film Dead Man. Let’s just say that was an awkward situation. [laughs] At least for me.
Arthur: I’d seen Dead Man before I read Drop Edge but some of the similarities are striking.
RW: Yeah, he took a lot. But I think the book is sufficiently different. And in a way, the good part of it is after a while I felt compelled to write my own version to get away from what had essentially been contaminated. Not just by Jim, but by the whole long journey of the script. I’d done a lot of research in each variation, along with a script on the gold rush that I never got on. So I had all this stuff in me. And after years of reading and inhabiting that world, I became very much at ease with the vernacular. And that always seemed to me to be very important in a so-called historical novel. I didn’t want it to just be a novel about historical information. So all the film stuff provoked me to go underneath, to explore some other layers.
Arthur: I like the idea of a character being stuck between worlds.
RW: The first draft of Drop Edge was more directly about the experience of somebody who woke up dead, so to speak. So in a dharmic sense it was more about a direct experience of the bardo. You never really knew whether this guy was alive or dead. On another level, that’s what being alive is about. Like when you know you’re going to die, really know you’re going to die, you start to feel alive. So on one level I was exploring that. But I felt that the first few drafts were too much of a plunge into that in-between state of mind. I felt like I had to set the table in a more deliberate way. So that’s why I introduced the idea of the character being cursed to float between worlds, not knowing if he was dead or alive. Before it was just being caught between worlds without any explanation and I thought it was too confusing, too alienating. I was trying to seduce the reader into the journey itself, this 19th-century journey. Sometimes I think of Drop Edge as an 18th-century book about the 19th century with 21st century overtones. [laughs]--from Joe O'Brien's interview for Arthur
Sen. Joe Lieberman announced Sunday that he will join Republicans in blocking a vote on any real health care reform bill -- including any public option and even the fake "compromise" floated last week.
The Washington Post's Ezra Klein writes, "At this point, Lieberman is just torturing liberals. That is to say, he's willing to directly cause the deaths of hundreds of thousands of people in order to settle an old electoral score."
Enough is enough. Can you join 145,000 others in telling Democratic leaders to punish Joe Lieberman by taking his committee chairmanship?
Click here.
Then, please ask others you know to take action.
Lieberman was asked if he'd accept losing his powerful committee chairmanship as a consequence of blocking reform, and he answered, "Oh, God no." Our message to Sen. Harry Reid and other Democratic leaders says:
"Any Democratic senators -- including Joe Lieberman -- who support a Republican attempt to block a vote on health care reform should be stripped of their leadership titles. Americans deserve a clean up-or-down vote on health care reform that includes a public option."
Sign the petition here - we'll deliver it to Senate Democrats.
Then, please ask others you know to take action.
Today, we are releasing a new poll with Howard Dean's Democracy for America that shows wide support for our petition:
• Democratic voters think Senate Democrats should take away Lieberman's chairmanship by 81% to 10%. Independents also support it by 13 points.
• Democratic voters want Senate Democrats to use "reconciliation" by 73% to 13%. This requires just 51 votes to pass reform instead of 60, bypassing Lieberman.
• Voters favor Howard Dean's "We Can Do Both" proposal (a public option PLUS a Medicare buy-in for ages 55-64) by 57% to 32%. Among Independents, it's 56% to 28% (2 to 1).
• 84% of Democratic voters want progressive primary challengers to congressional Democrats who oppose a public option.
• This poll is being reported by many news outlets. Now, we need to back it up with grassroots action.
Can you join 145,000 others in telling Democratic leaders to punish Joe Lieberman?
Thanks for being a bold progressive.
The Colbert Report | Mon - Thurs 11:30pm / 10:30c | |||
The Word - Don't Ask Don't Tell | ||||
www.colbertnation.com | ||||
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Last night, I went onto the House floor and did something that the Republicans aren't used to. I told the truth about the Republican health care plan. The plan is simple:
Don't get sick.
If you do get sick...
Die quickly.
My speech has been replayed on CNN, Redstate, Huffington Post, etc, and mainstream media pundits are saying that I'm the Democratic Joe Wilson. Of course, unlike Joe Wilson, I wasn't rude to the President. Unlike Joe Wilson, I didn't break a rule of the House. And unlike Joe Wilson, I actually told the truth. Every single year, over forty-four thousand people in America die because they don't have health insurance. Read this Harvard study. That is the plain truth.
Alan Grayson's diary :: ::
And now the Republicans claim they are going to introduce a resolution "disapproving" of my behavior. (**)
What is this, junior high school? Do they think my feelings are hurt? Just what do these people think health care means? It's not some abstract "issue", we're talking about life and death! And the Republicans, who ran the government in full or in part from 2001-2009, chose to let those 44,000 people die, every single year when they were in power. And George W. Bush, whom the Republicans somehow pretend was not President for the last eight years, just let them die. He even vetoed health care for poor children.
So apologize? I don't think so.
Now, my office is getting slammed with calls. Some people are saying "I will do anything in my power to get you out of office." But many of you are calling and saying "Thank you for speaking the truth, and don't you dare apologize."
The Republicans are serious about getting rid of me, because they are scared. They have already set up a site to attack me. And the reason is simple; they don't want my tough attitude to rub off on other Democrats. And the Democrats aren't sure what to think about this new, I don't know what you call it, truthtelling?
The piece, 'Collateral', which won the Waikato National Contemporary Art Award, was entered by Berlin-based Dane Mitchell, who won $15,000 for his effort - or lack of.
Mitchell wrote a message to Waikato Museum art gallery staff asking them to collect the discarded wrapping of other entries and tip it on the floor. That was his entry, the Waikato Times reported.
Another entrant, Mark Hayes, said he spent 26 hours "cutting, welding and grinding"' for his Domestic Violence is Not Okay sculpture, but probably should not have bothered.
A Record Of Life from Owen Gatley and Luke Jinks on Vimeo.
Stumblebum Brass Band from Joel Tomar Levin on Vimeo.
I opt for the Juarez at the Hollo-Chick Haus. It’s a South of the Border Taste Riot. A Hello-Chick is a kind of chicken conglomerate, the size of a football and hollowed out. You can have whatever you want in there, croutons or sweet-and-sour pork or a light salad even. The Juarez is the one filled with sour cream and refried beans and some little sliced black things. I opt for extra sauce packets.
Alaska Teabagger Rally in Anchorage 8/10/09 from Dennis Zaki on Vimeo.
Life Incorporated: How the World Became a Corporation and How To Take It Back.
Coming from RandomHouse US and UK, Summer 2009Pre-Order Now.
Read Excerpts
This didn’t just happen.
In Life Inc., award-winning writer, documentary filmmaker, and scholar Douglas Rushkoff traces how corporations went from a convenient legal fiction to the dominant fact of contemporary life. Indeed as Rushkoff shows, most Americans have so willingly adopted the values of corporations that they’re no longer even aware of it.
This fascinating journey reveals the roots of our debacle, from the late Middle Ages to today. From the founding of the chartered monopoly to the branding of the self; from the invention of central currency to the privatization of banking; from the birth of the modern, self-interested individual to his exploitation through the false ideal of the single-family home; from the Victorian Great Exhibition to the solipsism of MySpace; the corporation has infiltrated all aspects of our daily lives. Life Inc. exposes why we see our homes as investments rather than places to live, our 401k plans as the ultimate measure of success, and the Internet as just another place to do business.
Most of all, Life Inc. shows how the current financial crisis is actually an opportunity to reverse this 600-year-old trend, and to begin to create, invest and transact directly rather than outsourcing all this activity to institutions that exist solely for their own sakes.
Corporatism didn’t evolve naturally. The landscape on which we are living - the operating system on which we are now running our social software - was invented by people, sold to us as a better way of life, supported by myths, and ultimately allowed to develop into a self-sustaining reality. It is a map that has replaced the territory.
Rushkoff illuminates both how we’ve become disconnected from our world, and how we can reconnect to our towns, to the value we can create, and mostly, to one another. As the speculative economy collapses under its own weight, Life Inc. shows us how to build a real and human-scaled society to take its place.
In Life Inc, Douglas Rushkoff presents the unnerving, unbelievable, but ultimately undeniable proof that our world has been overtaken by an absolutely artificial economy.
He shows how our most fundamental assumptions about money and commerce are actually false ones - artifacts of a 400-year-old plan by a waning aristocracy to maintain control of Western Europe. Although the architects of this corporatism have long since passed on, we still live in a landscape defined by their plans and have internalized their values as our own.
Taking on some of the biggest assumptions of our age, this is a book filled with dangerous ideas and rather unspeakable heresies:
•Money is not a part of nature, to be studied by a science like economics, but an invention with a specific purpose.
•Centralized currency is just one kind of money - one not intended to promote transactions but to promote the accumulation of capital by the wealthy.
•Banking is our society’s biggest industry, and debt is our biggest product.
•Corporations were never intended to promote commerce, but to prevent it.
•The development of chartered corporations and centralized currency caused the plague; the economic devastation ended Europe’s most prosperous centuries, and led to the deaths of half of its population.
•The more money we make, the more debt we have actually created.
Most importantly, Rushkoff shows how this moment of financial crisis is actually an opportunity to reinstate commerce and communities based in creating value for one another, rather than continuing to extract it for the benefit of institutions that no longer exist.